- Description
-
- Creator
- Francis Towne (1739 - 1816)
- Title(s)
-
- Aberglaslyn
- Date
- 1777/07/09
- Medium
- Pen and ink, (?) grey and brown washes
- Dimensions
-
- image width 278mm,
- image length 431mm
- Inscription
-
- sheet, verso
- “9th July 1777” and numbered “22”
- Watermark
-
- verso
- “J Villedary”
- Object Type
- Monochrome wash
-
- Catalogue Number
- FT087
- Description Sources
- Paul Oppé notes; Barton Place catalogue
Provenance
Bequeathed by the artist in 1816 to James White of Exeter (1744–1825), on whose death it passed to Towne’s residuary legatee John Herman Merivale (1779–1844) and his successors. Merivale’s granddaughters Maria Sophia Merivale (1853–1928) and Judith Ann Merivale (1860–1945), both of Oxford, inherited the drawing in 1915 (BP111). Judith Merivale gave it in September 1934 to William Trevelyan Turner (b.1892), son of their cousin Henrietta Maria (“Hetty”) Turner, whereafter it is untraced.
- Associated People & Organisations
- Untraced
- William Trevelyan Turner, September 1934
- Judith Ann Merivale (1860 - 1945), Oxford, May 1915, BP111
- Maria Sophia Merivale (1853 - 1928), Oxford, May 1915, BP111
- John Herman Merivale (1779 - 1844), 1825
- James White (1744 - 1825), Exeter, 1816
Other entries in Tour of Wales, 1777
Francis Towne
View of a Mountain, Perhaps near Aberddwlas
View of a Mountain, Perhaps near Aberddwlas
Francis Towne
A View near Dolgelly with Part of Cader Idris
A View near Dolgelly with Part of Cader Idris
Francis Towne
A View of the Salmon Leap from Pont Aberglaslyn
A View of the Salmon Leap from Pont Aberglaslyn
Francis Towne
The West Front of Tintern Abbey
The West Front of Tintern Abbey
Chepstow Chepstow Museum and Art Gallery
Francis Towne
The Ruins of the Great Room in Ludlow Castle, Shopshire, where Milton’s Comus was Performed
The Ruins of the Great Room in Ludlow Castle, Shopshire, where Milton’s Comus was Performed
Footnotes
- 1 Paul Oppé records: notes, ca. 1915.
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Comment
Paul Oppé’s note of this work reads: “111 Aberglaslyn size as [BP]110 J Villedary sun rising on left hand over mt. Fine outline, rather crumbly two browns, one grey, one sepia.”1 Possibly this is the source of a 1795 watercolour of Pont Aberglaslyn (FT583).